All BELLOTTO, Bernardo's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
5119 Capriccio of the Capitol Capriccio of the Capitol 1743-44 Oil on canvas Galleria Nazionale, Parma
5118 Capriccio with the Colosseum Capriccio with the Colosseum 1743-44 Oil on canvas Galleria Nazionale, Parma
5125 Dresden, the Frauenkirche and the Rampische Gasse Dresden, the Frauenkirche and the Rampische Gasse 1749-53 Oil on canvas, 193 x 186 cm Gemäldegalerie, Dresden
5129 Dresden, the Ruins of the Pirnaische Vorstadt Dresden, the Ruins of the Pirnaische Vorstadt 1762-63 Oil on canvas, 80 x 112 cm Mus??e des Beaux-Arts, Troyes
5131 Dresden, the Ruins of the Pirnaische Vorstadt kinxt Dresden, the Ruins of the Pirnaische Vorstadt kinxt 1766 Etching Private collection
5126 New Market Square in Dresden New Market Square in Dresden 1750 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
5127 New Market Square in Dresden from the Jdenhof New Market Square in Dresden from the Jdenhof 1749-51 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
72566 Self portrait as Venetian ambassador Self portrait as Venetian ambassador Date 1760s Medium Oil on canvas Dimensions 153 X 114 cm (60.24 X 44.88 in) cyf
5123 The Kreuzkirche in Dresden The Kreuzkirche in Dresden 1747-56 Oil on canvas, 197 x 187 cm The Hermitage, St. Petersburg
5117 The Piazza della Signoria in Florence The Piazza della Signoria in Florence c. 1742 Oil on canvas, 61 x 90 cm Museum of Fine Arts, Budapest
5130 The Ruins of the Old Kreuzkirche in Dresden gfh The Ruins of the Old Kreuzkirche in Dresden gfh 1765 Oil on canvas Gemäldegalerie, Dresden
5115 The Scuola of San Marco gh The Scuola of San Marco gh 1738-40 Oil on canvas, 42 x 69 cm Gallerie dell'Accademia, Venice
5133 Vienna, Panorama from Palais Kaunitz ffg Vienna, Panorama from Palais Kaunitz ffg 1759-60 Oil on canvas, 134 x 237 cm Museum of Fine Arts, Budapest
5132 Vienna, the Lobkowitzplatz Vienna, the Lobkowitzplatz 1759-60 Oil on canvas, 115 x 152 cm Kunsthistorisches Museum, Vienna
5124 View of Dresden from the Right Bank of the Elbe with the Augustus Bridge View of Dresden from the Right Bank of the Elbe with the Augustus Bridge 748 Oil on canvas, 133 x 237 cm Gemäldegalerie, Dresden
5121 View of Gazzada near Varese View of Gazzada near Varese 1744 Oil on canvas Pinacoteca di Brera, Milan
5116 View of the Grand Canal at San Stae View of the Grand Canal at San Stae 1738-40 Oil on canvas, 70,5 x 126,5 cm Private collection
5120 View of the Villa Cagnola at Gazzada near Varese View of the Villa Cagnola at Gazzada near Varese 1744 Oil on canvas, 100 x 65 cm Pinacoteca di Brera, Milan
5122 View of Turin near the Royal Palace View of Turin near the Royal Palace 1745 Oil on canvas, 129,5 x 174 cm Galleria Sabauda, Turin
5134 View of Vienna from the Belvedere hjhk View of Vienna from the Belvedere hjhk 1759-60 Oil on canvas, 135 x 213 cm Kunsthistorisches Museum, Vienna
5136 View of Warsaw from the Royal Palace (detail) fh View of Warsaw from the Royal Palace (detail) fh 1773 Oil on canvas National Museum, Warsaw
5135 View of Warsaw from the Royal Palace nl View of Warsaw from the Royal Palace nl 1773 Oil on canvas, 166 x 269 cm National Museum, Warsaw
91440 Wilanow Palace as seen from north-east Wilanow Palace as seen from north-east 1777(1777) Medium oil on canvas cyf
5128 Zwinger Waterway Zwinger Waterway 1750 Oil on canvas, 133 x 235 cm Gemäldegalerie, Dresden
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views. . Related Artists to : | Victor Dubreuil | Ignaz Gaugengigl | Jeanne-Philiberte Ledoux | Giulio Campi | gosta adrian-nilsson |