All Bela Ivanyi-Grunwald's oil paintings
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| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 75210 |
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Ave Maria |
1891
cjr |
| 77035 |
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Ave Maria |
English: Ave Maria
Date 1891
cyf |
| 75235 |
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Shepherd and Peasant Woman |
1892(1892)
Oil on canvas
100X120 cm
cjr |
| 76062 |
 |
Still life |
before 1903(1903)
Medium Oil on canvas
Dimensions English: 63??50.5 cm
cyf |
| 74525 |
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Still-life |
before 1903(1903)
Oil on canvas
63X50.5 cm
cjr |
| 74835 |
 |
Woman by the Water |
1897(1897)
Oil on canvas
81X99 cm
cjr |
| 76300 |
 |
Woman by the Water |
Date 1897(1897)
Medium Oil on canvas
Dimensions 81??99 cm
cyf |
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| Bela Ivanyi-Grunwald
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| (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony.
Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
. Related Artists to : | LIEVENS, Jan | Maurice Utrillo | Adolf von Hildebrand | Domenico Maggiotto | Ecce Homo | |
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