All NATTIER, Jean-Marc's oil paintings
ID Image  Oil Pantings, Sorted from A to Z     Other Information
8342 Comtesse de Tillieres sg Comtesse de Tillieres sg 1750 Oil on canvas, 80 x 63 cm Wallace Collection, London
8341 Comtesse Tessin age Comtesse Tessin age 1741 Oil on canvas, 81 x 65 cm Mus??e du Louvre, Paris
8337 Madame Marsollier and her Daughter sg Madame Marsollier and her Daughter sg 1749 Oil on canvas Metropolitan Museum of Art, New York
8338 Madame Victoire ag Madame Victoire ag 1748 Oil on canvas, 64 x 81 cm Mus??e de Versailles, Versailles
8340 Mademoiselle de Clermont en Sultane sg Mademoiselle de Clermont en Sultane sg 1733 Oil on canvas, 109 x 105 cm Wallace Collection, London
8336 Marie Adelaide of France as Diana sg Marie Adelaide of France as Diana sg 1745 Oil on canvas, 95 x 128 cm Galleria degli Uffizi, Florence
8335 Marie Adelaide of France as Flora ag Marie Adelaide of France as Flora ag 1742 Oil on canvas, 94,5 x 128,5 cm Galleria degli Uffizi, Florence
44053 Marie Leczinska Marie Leczinska 1748 Oil on canvas
8339 Portrait of a Young Woman Painter sg Portrait of a Young Woman Painter sg Oil on canvas La Cour d'Or, Mus??es de Metz, Metz
8343 Portrait of Madame Maria Zeffirina sg Portrait of Madame Maria Zeffirina sg 1751 Oil on canvas, 70 x 82 cm Galleria degli Uffizi, Florence
49071 Portrait of Peter the Great Portrait of Peter the Great mk193 1717 Oil on canvas 142.5x110cm
67213 princesse de Masseran princesse de Masseran Description Charlotte Louise de Rohan (1722-1786), princesse de Masseran.jpg English: Painting of Charlotte Louise de Rohan, daughter of Hercule M??riadec de Rohan, Prince of Gu??m??n?? and Louise Gabrielle Julie de Rohan, by Nattier Date 1738
NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). . Related Artists to : | LOO, Carle van | Joseph Farqharson | Johann Evangelist | Jean Barbault | W.H.D. Koerner |